Flight of the Goose by Lesley Thomas was kindly offered to me by the author herself. She also generously sent me a second copy to give away to a lucky reader. I’ve had this interview sitting around for awhile and am sorry to say that I never got around to posting it. So without further ado, here’s Lesley Thomas and I discussing her book. See the bottom of the interview for details on how to win your own copy of Flight of the Goose.
♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥
Lesley Thomas was nice enough to say yes when I asked for a short interview. So a big thank you and welcome!
Q. My first question is about the cover art of “Flight of the Goose”. The front is what looks like a sepia photograph depicting a beautiful landscape (my guess is tundra?) with a child running gleefully through it. Did you have any input with the cover and are you pleased with the result?
A. That is an old family photo. It was taken in the region in which my book is set, Bering Strait. It is tundra, Inupiaq territory and the land of so many of my relatives through marriage, and their ancestors going back centuries. My Inupiaq stepfather used to be carried on his grandmothers back through those very hills as she foraged. I grew up there too and spent much time alone in those high hills, roaming.
Though a few readers, some macho men, thought the cover should have shown a shaman mask or perhaps something with guns, (saying the girl is too “domestic” and more for a woman’s novel, like that is a bad thing. Well, I am a woman and women read my book as well as men, and the book is about a woman. I love the photo and what it represents. I think showing a child is perfect. Perhaps she is the child born from the union of the two characters. And the photo shows the land, such a big part of the story. I love how the small mountain in the photo was exactly like the mountain my main character roamed upon in summer and through her childhood (picking blueberries). And the hills are of course where Gretchen has her spiritual connection to the Earth and where she spies on her birdman. The photo doesn’t show it very clearly but the little girl has blueberries on her face from gorging on them like a bear cub, from the ancient traditional freedom of “summer camp”.
Q. What inspired you to write this book? I confess to knowing little to none about Alaska’s people and/or traditions. Did you hope to enlighten those who may be in my shoes?
A. I didn’t really set out to enlighten others so much as to understand myself better, maybe. An identity thing. Like the first part of my novel where narrator says how you have to look back from a distance to understand. I had a very rare and complex upbringing. The Arctic is my homeland and where all my family still lives; it is where I grew up and was formed – I always feel moved very deeply in my soul when in the Arctic, more than other places on Earth. My best friends were born there and died there. In addition, I am deeply bonded with the Inupiaq culture, from my early exposure to village life, and my mother encouraged me to assimilate, then through the family marriages that meshed outsiders and Native. I was taught – nurtured in – the Inupiaq ways by many traditional mentors and then my stepfather and his mother, so it is an intrinsic part of me; I am bicultural. (I think part of it might be genetic too, since my grandfather was from the Arctic, in Norway’s Lapland. It looks exactly the same as the photo, and there are reindeer, wolverine, the same berries, the same ways of sharing and honoring spirits and elders. And I am part Sami so am descended from hunting-gathering nomads of the Arctic). I also wrote the book to honor an old childhood friend who died at a very early age – in a way the story is a eulogy for her. Her spirit visited me a lot at night in dreams while I was writing the story. She influenced me – and it – tremendously. At times I felt like was channeling the Otherworld while writing, in a shamanistic way.
That’s the mystic’s answer – Freud would say I had ‘complexes’ to work out. Whenever I write a book it always manages to get set in the Arctic, as if I am unconsciously compelled to go there. I wrote a science fiction novel and even it was on an Arctic-like planet with hunter gatherers. But I also always write about the conflicts and creative union of culture, the old and the new, outsider and indigenous, good and bad, all ambiguity you get when you combine two very different world views, and that is no doubt due to the way I was raised in my bicultural family. My next books (see bottom question) will be set in the Arctic.
All that being said, sure, I wanted to let others in on the great beauty of the Arctic, its animals and people, and to warn them that is very fragile and endangered. I did want to preserve the old ways somehow, and to honor them.
Q. I would think your surroundings would influence your writing but I notice you now live in Seattle. Just out of curiosity, how much of the book was written in Seattle and how much in Alaska?
A. I don’t know – I visit family a lot and spend summer in the homeland, asking all kinds of questions and absorbing new cultural and earth lessons. I never stop learning or researching and would like to keep amending Flight of the Goose. I keep learning new things about subsistence and the Inupiaq traditions as the old people up there open up more and more. My brothers learn more from their wives, and Elders feel safer to talk about the old ways now that outsiders don’t disparage, abuse the knowledge, use it against Natives through colonization, or mock it racistly (not that I ever doubted- I always honored ancient ways. But the fact remains I have a white identity, I sure look white, and will always be an outsider). The old people also feel an urgency to pass knowledge and stories along while they are still alive.
Readers ask me a lot about why I live in Seattle when I so obviously love and know the Arctic. My living in Seattle but channeling and writing about the Far North reminds me of the Kite Runner author, writing about Afghanistan as an immigrant/refugee living in California. I have a love-hate relationship with the Arctic; it is not the land I want to get away from or feel pained by, or the bears (though I fear them as well as honor them) or mosquitoes or the cold and dark or the old culture, it is the society of Alaska I feel pained by. The dysfunction of the new Alaska. It is a frontier, a colony, a deeply ravaged land, the people in post traumatic stress and ongoing stress and I get traumatized by the emotional pain, especially as a sensitive, empathic woman.
Q. How has your life changed since you wrote “Flight of the Goose”, and do you have plans for writing another novel sometime in the future?
A. It changed big time when I was doing a lot of author events and getting to teach at writers conferences, and took a hiatus from my day job. I got to make friends with other authors from all over the nation, and wear the hat of author for the first time and it felt great. I loved it. But now I am back to the daily grind of teaching ESL for a living, having learned the lesson that for most of us authors, we have to keep the day job. Literary fiction is not very lucrative for most of us, even if we get good reviews.
I will write another novel – probably an eco=thriller – set in the very post modern Arctic. Global warming is altering the Arctic swiftly and radically, more than any other place on Earth except the Moldaves. The renewed plans for rampant oil drilling, right off the coast of my hometown and the Chukchi Sea adds another dimension.
My other plan is to write a novel set in the ancient Arctic of Scandinavia and delve into my own genetic past.
Q. Finally, let’s finish with my usual final bookish questions! What kind of books do you like to read? What is your favorite book? Who is your favorite author? Finally, what are you reading now and why?
A. I just finished a book that delighted me: Finding Nouf, a mystery set in modern Saudi Arabia. I know a lot of Saudis at the university and since I was a kid was always fascinated with both archaic Bedouin and modern Wahabi-state controlled urbanites, especially the lives of women there. This book was well written and reminded me of Martin Cruz Smith’s work (he is a favorite, especially Polar Star) I read some reviews of Finding Nouf that criticized the author for being incorrect on some of her facts, but I feel a lot sympathy for that. We can’t be perfect. Also, I know editors and marketing teams are responsible for a lot; they will override an author and change things culturally if they feel it will make American readers like the book more.
Oh, to get back to your question: I love Margaret Atwood’s Handmaid’s Tale and Kingsolver’s Poisonwood Bible, Peter Matthiesen’s At Play in the Field of the Lord, and the post-Victorians, especially Thomas Hardy. I love Dickens and Conrad, the Romantic poets (grew up on them, since we didn’t have TV). My first adult novel, which I read and loved at the age of 7 was To Kill a Mockingbird, followed quickly by Never Cry Wolf by Mowat.
This year I’ve been reading a lot of nonfiction political science, economics, the rise of American Empire, and – if you will – apocalyptic science about climate change and peak oil, ecological breakdown. I am reading that “downer” stuff because I am concerned, and want to know what is happening and what is likely to happen. They are like my oracles. And I always love anything about Carl Jung or Joseph Campbell, or world mythology and anthropology.
♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥ ♥
Huge thanks to Lesley Thomas. If you’d like to be entered to win this amazing book, leave a comment here telling me why you want to win a copy of this book. For an extra chance, you can blog/tweet about this contest- but be sure to tell me you did it, and provide a link🙂
Missed my last post? It was: FOCUSING ON CHARLAINE HARRIS: SOOKIE AND TRUE BLOOD FAQ